Admit it! You hate Jazz.

Okay. You say you like jazz. But not avant-garde jazz. What the heck is "chamber jazz" anyway? Here are three reasons why you should check out NPO TRIO LIVE AT THE STONE today!

Reason #1
Because you HATE avant-garde jazz.
You will like this album.- New music that sounds familiar and foreign, improvised but sounds composed, and Yiddish melodies made fresh! You will feel invigorated.

Reason #2
So you have a go-to "small talk" at your next function and be the most cosmopolitan and sophisticated person in the room. "Have you heard the new 'NPO Trio Live At The Stone' album yet?"

Reason #3
Because you are our friend after all.

Check it out today!

iTune, Apple Music, Bandcamp, etc.

Comments

Is There a Harvey Weinstein of Jazz? #MeToo

(Trigger warning! rape, child abuse) The #MeToo movement has been bringing about changes in the entertainment industry, especially film. Many of us wonder "Is there is a Harvey Weinstein of jazz?" The most significant difference between the film and jazz industries is that we no longer have influential gate-keepers in jazz. Record company executives, managers, booking agents, producers used to be extremely powerful. But today, they no longer make or break one's career in jazz. We have to "make it" on our own. Except for faculty members at educational institutions, nobody could take advantage of young female jazz musicians today. But it doesn't mean that I have never been sexually harassed or made to feel uncomfortable on the bandstand or off. Until recently, many jazz musicians used to make inappropriate jokes and offhanded comments. But I always told myself to have a thick skin, and ignore the comments. I also used to receive unwanted sexual advances

Why Was a Harlem 4-Year-Old Screaming “Let My People Go!?"

Our guests don’t ask four questions, but one. "When do we get to eat?” We tell them to eat something before if they don't want to be hungry staring at a shank bone and parsley while we read for two hours. To make the matters worse, every year at our Passover seder, our Afro-Asian Jewish American daughter passionately sings “Go Down Moses” crescendoing into the part “Let my people go!” The song exemplifies the parallel between the Jewish people's enslavement and departure from Egypt and the African-American slave experience in the United States. The parallel that I only draw once a year on Passover. “ Exodus and Emancipation ” is one of the tracks from one of my new albums, a debut album by the NPO Trio ( Sam Newsome on sopranos saxophone, Jean-Michel Pilc on piano, and Meg Okura on the violin) to be released on March 15 from Chant Records, a newly established avant-garde, and world music label. I first met Jean-Michel Pilc almost 18 years ago when I used to play

Defending Rioters and Looters Don't Help Us

I never liked being called a person of color, though people calling us black didn't bother me as much. It's just semantics, right? But I nearly gagged this morning when I heard an innocent nine-year-old white girl saying, "we should call them (the looters) people of color because 'black' sounds bad." I looked at my daughter- her shoulders were down with blank stares at her computer screen. The homeroom teacher encouraged the little girls to "take action" and added that "these people are looting because they are angry. And they are angry because of racism." My heart started to race as the last thing I wanted the teacher to teach is to (1) identify people by race, (2) justify looting and rioting, (3) ask the girls to "do something." So my daughter and I had a talk after her zoom homeroom. Here are some of the things my nine-year-old said. (1) It sounds like only white people are "normal" people, and other people aren't

Chording To Meg

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