(Trigger warning! rape, child abuse) The #MeToo movement has been bringing about changes in the entertainment industry, especially film. Many of us wonder "Is there is a Harvey Weinstein of jazz?" The most significant difference between the film and jazz industries is that we no longer have influential gate-keepers in jazz. Record company executives, managers, booking agents, producers used to be extremely powerful. But today, they no longer make or break one's career in jazz. We have to "make it" on our own. Except for faculty members at educational institutions, nobody could take advantage of young female jazz musicians today. But it doesn't mean that I have never been sexually harassed or made to feel uncomfortable on the bandstand or off. Until recently, many jazz musicians used to make inappropriate jokes and offhanded comments. But I always told myself to have a thick skin, and ignore the comments. I also used to receive unwanted sexual advances
Jazz composer and violinist Meg Okura her thoughts on religion, culture, race, motherhood and all that jazz from her immigrant, Jewish, woman, Japanese, ex-Evangelical, and black family perspectives.